Tone sandhi in the Suzhou dialect: Synchronic and diachronic perspectives
苏州方言连读变调的共时层面和历史层次
Xiaofan Li 李小凡

Abstract 摘要
There are two kinds of Tone Sandhi phenomena in the Suzhou dialect: (a) a phonetic Tone Sandhi operating with the last syllable as the base, and (b) a phonetic and semantic Tone Sandhi with the first syllable as the base. As the last syllable in (b) is highly neutralized in tone, the prevalence of the phenomenon results in change in tone classes, involving sandhi rules that are completely different from those of the phonetic type. These two types of Tone Sandhi belong to different synchronic levels and they happened in historical strata of different periods. The phonetic sandhi belonged to the main layer in the early period, and the phonetic/semantic sandhi represented an innovative layer, a derivation from the phonetic layer. The phonetic/semantic sandhi initially affected syntactic units such as the aspectual, the reduplicative and the quantifier expressions. The change then spread its influence to other syntactic and lexical units. At present, the change has become the main layer, with the phonetic sandhi remaining as a variant form. The process of derivation from the phonetic/semantic sandhi resembles that of lexical grammaticalization.

苏州方言有两种连读变调:(1)以后字为基字的语音变调,(2)以前字为基字的音义变调。音义变调的后字高度中和,连调式广泛漂移并导致单字调窜调,连调规则跟语音变调截然不同。两种连调分属不同的共时层面,又是发生于不同时期的历史层次。语音变调早期是主层,音义变调则是从语音变调中衍生的创新变层。音义变调最初产生于动词体貌结构、动词重迭式、数量结构等语法单位,然后向其他语法、词汇单位扩散,目前已成为苏州方言连调式的主层,语音变调则降为滞后的变层。音义变调的衍生过程类似词汇单位的语法化。

Subject Keywords 关键词

Suzhou dialect 苏州方言 Tone Sandhi 连读变调 Base character 基字 Drift 漂移 Synchronic level 共时层面 Diachronic strata 历史层次 Syntax diffusion 语法扩散 Grammaticalization 语法化

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