Renditions
No. 7 (Spring 1977)
(Translators' names in parentheses)
| 5 | C.H. WANG: Chou Tso-jen's Hellenism | ||||||
| 48 | YI-T'UNG WANG: The Political and Intellectual World in the Poetry of Juan Chi | ||||||
| 62 | YU KWANG-CHUNG: Impersonality in Poetry: A Second Thought | ||||||
| 73 | STEPHEN C. SOONG: Two Types of Misinterpretation — Some Poems from Red Chamber Dream |
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| 93 | LING CHUNG: Whose Mountain Is This? — Gary Snyder's Translation of Han Shan | ||||||
| 39 | AI WU: Return by Night (Rayomnd S.W. Hsu) | ||||||
| 103 | KAN PAO: In Search of the Supernatural — Selections from Sou-shen chi (Kenneth DeWoskin) |
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| 133 | HWANG CHUN-MING: Sayonara, Tsai Chien (Howard Goldblatt) | ||||||
| 29 | WANG CHIU-SSU: The Wolf of Chung Shan (J.I. Crump) | ||||||
| 115 | TUNG CHIEH-YUAN: The Romance of the Western Chamber (Shiao-ling Yu) | ||||||
| 45 | Five Chinese Lyrics (D.C. Lau) | ||||||
| 86 | The Four "Garden Poems" of Hung-lou meng, calligraphy by Yeh Kung-ch'ao | ||||||
| 163 | Drunken Fisherman by a Reed Bank, by T'ang Yin | ||||||
| Briefs How I Translated from the Greek — 6, Is Pun the Nemesis of Translation? — 71, Translator to Critic — 72, Lin Shu's Translations — A Bibliographical Note — 132. |
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Research Centre for Translation, The Chinese University of Hong Kong.